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剧情概要
Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs.
Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life.
Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.
观众心声
《Sposa son disprezzata》还真贯穿始终了。男主霸屏的一部电影，这首歌不违和 ，“我被鄙视，我被抛弃，天呐，我做错什么了？” 您没做错，您就是戏太多，且you are a cliché，情书抛洒车窗外细雨中，谢谢不要了。
最后半小时渐生睡意 一旦没角色说话了 眼皮吧嗒吧嗒掉
男主长得太磕碜实在磕不下去
孤独不可耻，因为那是生活的真相和生命的常态。看清这一真相的芬兰「盲人」影迷，抑或看惯了《面包、巴士和第二次初恋》这种常态的日本影人告诉我们，你要「小步紧跑」去迎接、去爱。然而在西方「三角」路径里，亦在「旧爱重逢」叙事框架下，藕断丝连「分手又和好」的人却是可耻的。杰罗姆波奈大概也像剧中的作家那样，幸运地遇到了一位极富洞察力的「爱情」导师，在她的引领之下，他写出了一部浪漫又伤感的爱情故事。你瞧，迷惑和困扰法国人的《爱情三人行》表演不仅被他祛魅了，烙印在他们掌纹上混乱又清晰的宿命也被他读懂了。男主在洞察和回忆《亲爱的莉亚》的同时也在被第三者洞察和回忆，他理应为自己情不自禁的「插手/插足/插嘴」行为感到抱歉和羞愧。这理应是一段「默契神会」由作者与读者构成，处在权力动态平衡当中不分上下的两性关系，待续
很可爱，在一个小小的咖啡酒吧，可以有这么多故事发生，虽然每个人的故事都是一个小角，但是就像偷看了别人写的信一样，有趣而生动啊